![](http://i50mm.com/wp-content/uploads/2019/03/IMG_4703-678x452.jpg)
minox dcc 5.1
noctilux 50/1.2的资金迟迟不到位,怎么办?那就先买个minox dcc 5.1。既然搬不来一树花开,那就先拾起两三朵娉婷,风轻云淡,四月天。
话说,90年代末胶片机日薄西山,于是徕卡收购了跟自己性格相似的minox公司。德国公司都喜欢帮助本国企业。如今minox主要生产光学产品,野外相机啊、狙击镜啊、望远镜啊,捎带偶尔做个微缩版相机。起初minix复古微缩相机是110胶卷,后来是小数码,价格都不贵,很多人买来都是当摆设的。其实这小机器还是能玩玩的,毕竟minox是生产间谍机出身的,在小镜头设计上有先天优势。
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多少像素是多
300万像素就已经满足一般电脑上看了。康泰时sl300r就是300万像素,实际成像不比号称千万像素的手机差啊。毕竟蔡司的镜头在那放着呢,弥补了二十年前的数码技术。打印7寸照片也毫无压力,我试过的。徕卡的digilux2也才500万像素,可惜个头大了点。所以minilux dcc 5.1 的300万像素还是够用的,数码差值到了500万像素。打印也是足够了。
minox的徕卡特色
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把机器做小并不是啥了不起的事情,有特色才是卖点。这台小鸡器完全抓住了徕卡的精髓。
第一,手动。镜头模仿徕卡经典rigid造型,有0.5米、1米、无穷远三档指示,转动手感非常棒。相机的过片扳手和取景框预览扳手是可以动的,没有实际功能,还真别说,手感奇好。
第二,估焦。徕卡精髓之一就是盲拍,有啥难的?被自动对焦宠傻了的消费者。近距离0.5米拍摄个小微距,背景竟然能虚化,真的能虚化。1米来个街拍,哈哈,中心锐度蛮高的,周边竟然有种迷离的虚化感,难道这是模拟圣光么?
第三,旁轴。徕卡的取景是跟镜头分开的,好处是可以随时取景观察,取景器是观察的窗口,简简单单一个窗口,何必非要穿过镜头看。minox dcc 5.1的旁轴做不到机身上了,毕竟太小了,于是给了个外置光学取景器,沉甸甸的全金属哦。外置光学取景器其实就是旁轴嘛。
第三,外观。这机前脸使用的M3样式、iiif的卷片轴、m2的外置计数器个按钮回片锁。这哪里是模拟M3,分明是模拟徕卡经典机嘛。
问题
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作为一个微缩相机,能做到上面那些已经够意思了。不过也有一些小问题,比如白天拍阴影里的花丛测光就会有些兴奋过度,偶尔过曝,哈哈。不过拍花这事儿单反的自动测光也不靠谱,需要曝光补偿。
携minox dcc 5.1到第21届摄影器材展
![](http://i50mm.com/wp-content/uploads/2019/03/ICAM7343-678x509.jpg)
2018年的器材展改到了北京展览馆,场地变小了,有点微缩版的意思嘛。于是就带了这个mini版徕卡去了。很多人见到我这个相机都好奇,沈阳中一的博士看我竟然用这个,也笑个不停。
拍模特更是有意思,本来端庄优雅的表演,忽然从镜头丛林中伸出一个mini简直把模特都笑爆。
minox dcc 5.1的锐度非常好,色彩走向也跟徕卡数码类似,背景虚化也非常好,很多虚化效果是手机模拟不出来的哦。更多高清图片请查看i50mm摄影器材库《minox dcc 5.1》。
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